Zuckerman noted that the filmmakers were in a tough spot to repeat the success of the first film. After all, so much of it focused on Diana’s naivete and her wonder in discovering a whole new world.
They back there right now, calling me all kinds of names, calling me everything but a child of God. But they can’t do nothing else because they ain’t got what they wanted yet. Soon as they get my voice down on one of them recording machines, then it just like I be some whore. And they roll over and put their pants on. They ain’t got no use for me then.
In another reality, perhaps NBC decided to give the green light to its Wonder Woman TV series and, similar to the Lynda Carter-led Wonder Woman show from the 1970s, it had a solid run. In our reality though, after seeing the pilot (which also starred Elizabeth Hurley as Veronica Cale, Tracie Thoms as Etta Candy, Justin Brueing as Steve Trevor and Cary Elwes as Henry Detmer), the network decided to not pick up the new series, and judging by the critical reactions that came from those who’d watched that one and only episode, it was probably for the best.
Diana soon finds herself dealing with the return of Steve Trevor, setting up a nice flip of the dynamic they had in the first movie. She isn’t the same wide-eyed fish out of water she was the last time they met — by 1984 she’s in tune with the modern world, while his last memories are of 1918. This sends us on a fun tour of ’80s Washington DC as they investigate the cause of his return.
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