Here’s a second example of a forced perspective matte painting, that doesn’t only hide the filming equipment, but makes the room where the filming is happening appear larger than it actually is, based on where the painting is located.
Ah, the key grip. For those not in the know, they’re the lighting and rigging engineer on the set. Basically, the director of photography’s muscle. They have to come up with all kinds of methods, improvisations and experiments so that you, the viewer, can see what the director is holding in their mind’s eye.
For Knives Out, Rian Johnson’s whodunit that premiered Nov. 27 and is getting a lot of traction at the box office right now, key grip Matt Mania went all-in to deliver verisimilitude in the film’s lighting. He sculpted the lighting diffusers in order to reflect, in the actors’ eyewear, a realistic presentation of the windows in the rooms where they are sitting for their closeups.
You say that, but I don’t think you’re really giving much thought to the situation.I mean, if the grips hadn’t constructed this rig to disguise the light, either the lighting rig would be visible in reflections and break immersion, or you’d have to remove the light entirely and have a poorly lit scene.
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